News From the Festival

Welcome the 2022 Company!

Yesterday was arrival day at the Utah Shakespeare Festival. It was the yearly day of celebration, old and new friendships, anticipation, and palpable excitement. It was the day the bulk of the company members for the 2022 season arrived in Cedar City. Actors, directors, designers, and artists of every kind checked in, attended an opening meeting (which included a video welcome from the Festival’s founder, the late Fred C. Adams), and then went to work.

Join with all of us at the Festival in welcoming this amazing group of people to Cedar City! And click on any of the above photos to see a larger version.

Here’s what some of the company members had to say about the upcoming season:

“The chance to do King Lear is a mountain every classical actor dreams of climbing.”
—Anthony Heald (Lear in King Lear and King of France in All’s Well That Ends Well)

“It’s season thirty-one for me. I’m very excited to be doing Sweeney Todd, the first musical outside at the Festival, because I’m a big Sondheim fan.”
—Bill Black (costume designer for Sweeney Todd)

“I am excited to be in rehearsal again with other actors and, of course, Sondheim!”
—Lucy Austin (Johanna in Sweeney Todd, Ursula/Ensemble in The Sound of Music; Featured Performer in The Greenshow)

“It’s an exciting time for The Greenshow. We have a new director and three brand new shows.”
—Paula E. Trimpey (costume and scenery designer for The Greenshow)

“Playing the role of Maria feels like home, honestly in every way.”
—Daria Redus Pilar (Maria in The Sound of Music; Ensemble in Clue)

“It’s my first year being a first hand and I’m so excited to work with these wonderful artists to build King Lear.”
—Tanah Hislop (costume first hand for King Lear)

“I’m most excited to play Mr. Green in Clue because he is such a startle-able klutz.”
—Michael Doherty (Mr. Green in Clue; Lavatch in All’s Well That Ends Well; Jonas Fogg in Sweeney Todd)

Announcing the Cast of The Tempest

“I’m excited by this cast because it is truly a diverse group of imaginative artists that value language and poetry,” said Cameron Knight as he prepares to direct The Tempest this season at the Utah Shakespeare Festival. “I believe this will allow us to really unpack the questions in this play that pull on our humanity.” This group of actors includes actors with years of experience, including past work at the Festival, as well as actors whose faces will be new to Festival audiences.

 The actors are:

Jasmine Bracey

Jasmine Bracey is returning to the Festival this year to take on the magical Duchess Prospero in The Tempest. In 2021, she played to great acclaim at the Festival as Belarius in Cymbeline and Mrs. Dickson in Intimate Apparel. She has also worked at numerous other theatres, including Asolo Repertory Theatre, Goodman Theatre, Steppenwolf Theatre Company, Chicago Shakespeare Theater, American Blues Theater, Berkeley Repertory Theatre, Alley Theatre, Guthrie Theater, Resident Ensemble Players, The Acting Company, Ten Thousand Things, Chicago Dramatists, and Pennsylvania Shakespeare Festival. She has also appeared in the television series New Amsterdam and Chicago P.D. and has performed voiceover work. She is a member of Actors’ Equity Association and SAG-AFTRA.

Freedom Martin

Freedom Martin is making his debut at the Festival this season, playing the roles of Ferdinand in The Tempest and Edgar in King Lear. Trained at the Juilliard School, the British American Drama Academy, National Youngarts Foundation, and the Chicago High School for the Arts, he has extensive regional theatre experience. He has worked at Definition Theatre, TimeLine Theatre, the Artistic Home, Haven Theatre, and others, as well as at such academic venues as the Juilliard School, Chicago Youth Shakespeare, and Fury Theatre. He also appeared in the film Giving Voice.

Sophia K. Metcalf

Sophia K. Metcalf is also debuting at the Festival this season in the roles of the ethereal Ariel in The Tempest and Citizen and Musician in All’s Well That Ends Well. Work at other theatres includes Guilty Party at Cosmic Cherry Arts Festival and Twelfth Night with The Acting Company (both in New York City), Twelfth Night with the Irvington Shakespeare Festival, Gilgamesh with Counterbalance Theatre Company, and The Penelopiad, Human Error, Book of Will, and Macbeth at the University of California–Irvine. Metcalf also appeared in the Netflix film I Am No Longer Here.

Aidan O’Reilly

Aidan O’Reilly is returning for his second year at the Festival to play Caliban in The Tempest and the Fool in King Lear. In the 2021 season, he played Cerimon in Pericles, Richard in Richard III, and Angelo in The Comedy of Errors. Other theatres he has worked at include Prague Shakespeare Company, Marin Shakespeare Company, American Shakespeare Center, City Lights Theatre Company, Renegade Players, Avalon Players, Sonoma Valley Shakespeare Company, Arkansas Repertory Theatre, and Studio Theatre of Little Rock. A graduate with honors from the Royal Academy of Dramatic Art, O’Reilly is a member of Actors’ Equity Association.

Amara Webb

Amara Webb returns to the Festival after appearing as Sister in The Pirates of Penzance and Ensemble in Ragtime in 2021. This year in The Tempest she will perform the role of Miranda; and in All’s Well That Ends Well, Diana. She has played numerous roles at other theatres, including Henriette in The Learned Ladies and Sarah Chandler in The Living, both at Sargent Conservatory at Webster University.

Other members of the cast include:

  • John Bixler as Sebastian, Ceres, and Ensemble
  • Anatasha Blakely as Stephano and Ensemble
  • Steven Jensen as Gonzalo and Ensemble
  • Kevin Kantor as Trinculo, Iris, and Ensemble
  • Arizsia Staton as Antonio, Juno, and Ensemble
  • René Thornton Jr. as Alonso and Ensemble
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More Casting News

Bios and Photos

All’s Well That Ends Well Casting Story

Sweeney Todd Casting Story

King Lear Casting Story

The Sound of Music Casting Story

Trouble in Mind Casting Story

Clue Casting Story

The Greenshow Casting Story

Announcing the Cast of Clue

“The key to comedy is finding good actors,” said director Hunter Foster. “And we definitely found them!” Indeed, the Utah Shakespeare Festival has assembled an inspired group of actors to play the iconic oddballs in this season’s production of the madcap comedy, Clue. Almost all have appeared at the Festival in past seasons, and most are members of Actors’ Equity Association, the professional actors union.

They are:

Cherita Armstrong

Cherita Armstrong will be making her first appearance at the Festival. She will be playing Miss Scarlet in Clue and Millie Davis in Trouble in Mind. She has appeared off-Broadway at American Place Theatre, MCC, Ensemble Studio Theatre, Theatre for the New City, and New York Theatre Workshop and at such other theatres as St. Louis Black Repertory Theatre, Baltimore Center Stage, Yale Repertory Theatre, Public Theatre, and Hollywood Fringe Festival. On television she has been in 9-1-1, Pretty Little Liars, Law & Order: SVU, and Law & Order: Trial by Jury. She is a member of both Actors’ Equity Association and SAG-AFTRA.

Bailey Blaise

Bailey Blaise returns for her third season at the Festival. She will play the maid Yvette in Clue and Judy Sears in Trouble in Mind. In 2021 she played Evelyn Nesbit and Ensemble in Ragtime and a Sister in The Pirates of Penzance; in 2019 she was in various roles in Joseph and the Amazing Technicolor Dreamcoat and Featured Performer in The Greenshow. Other theatres she has worked at include Arrow Rock Lyceum Theatre (Funny Girl, Oliver!, The Music Man); Hunterdon Hills Playhouse (Sherlock Holmes Returns!); Musical Theatre West (Catch Me If You Can); Opera San Luis Obispo (Carousel); Rubicon Theatre Company (South Pacific); and Musical Theatre Guild (Zorba!, Minnie’s Boys). She received aB.A. in musical theatre from the University of Alabama and is an Equity Membership Candidate.

Michael Doherty

Michael Doherty is returning to the Festival in the role of Green in Clue. He will also appear as Lavatch, the clown, in All’s Well That Ends Well and Jonas Fogg in Sweeney Todd. In past seasons at the Festival he has played Dromio of Syracuse in The Comedy of Errors and The Joneses in The Comedy of Terrors (2021); the solo performer in Every Brilliant Thing (2019); Charlie Baker in The Foreigner and Tom Sawyer in Big River (2018); and more. He has appeared at many other theatres, including Berkeley Repertory Theatre, Milwaukee Repertory Theatre, and the Denver Center. A member of Actors’ Equity Association, he is also the showrunner for Mythic Thunderlute: A D&D Podcast Musical.

Aaron Galligan-Stierle

Aaron Galligan-Stierle is returning for his tenth season at the Festival. He will be playing Wadsworth in Clue and Adolfo Pirelli in Sweeney Todd. In past Festival seasons, he has appeared as Tateh in Ragtime, Clarence in Richard III, Dromio of Syracuse in The Comedy of Errors, Feste in Twelfth Night, Smee in Peter and the Starcatcher, Grumio in The Taming of the Shrew, Launcelot Gobbo in The Merchant of Venice, Clown #2 in The 39 Steps. On Broadway he played Monsieur Andre in The Phantom of the Opera, Henry Ford in Ragtime, and Papa Who in The Grinch and acted in the White Christmas national tour, as well as at the Kennedy Center, Oregon Shakespeare Festival, Papermill Playhouse, The Rev, TUTS, Pennsylvania Shakespeare Festival, and more. He is a member of Actors’ Equity Association. 

Bree Murphy

Bree Murphy is returning to the Festival after an absence of several years—to play Mrs. Peacock in Clue and Mrs. Lovett in Sweeney Todd. Most recently at the Festival she appeared as Miss Andrew and Mrs. Corry in Mary Poppins and Queen Isabel and Mistress Quickly in Henry V in 2016. She has also been in such Festival productions as South Pacific, The Taming of the Shrew, Henry IV Part Two, Measure for Measure, Henry IV Part One, and Into the Woods. A member of Actors’ Equity Association, she has appeared in the national tour of Les Misérables and in many other theatres, including Musical Theatre West, 3D Theatricals, PCPA, Swine Palace, New Swan Shakespeare, Kentucky Shakespeare, and Okoboji Summer Theatre.

Melinda Parrett

Melinda Parrett is another actor returning to the Festival this season. She will play Mrs. White in Clue and Elsa Schraeder in The Sound of Music. Previously at the Festival, she has played numerous roles, including Titania/Hippolyta in A Midsummer Night’s Dream, Adelaide in Guys and Dolls, Reno Sweeney in Anything Goes, Ariel in The Tempest, Belinda in Noises Off!, Lady Capulet in Romeo and Juliet, and many more. She has also acted across the country at such theatres as Denver Center, Goodspeed Opera House, Geva Theatre, Santa Cruz Shakespeare, PCPA Theaterfest, Sacramento Music Circus, Capital Stage, SLO Rep, B Street Theatre, Sierra Repertory Theatre, StageWorks Fresno, New Helvetia Theatre, Sacramento Theatre Company, Oregon Cabaret Theatre, Phoenix Theatre, Odyssey Theatre LA, Long Beach CLO. She is a member of Actors’ Equity Association.

Michael Sharon

Michael Sharon is returning to the Festival after a fifteen-year absence, this year to play the roles of Professor Plum in Clue and Captain Von Trapp in The Sound of Music. In past seasons he has played Orsino in Twelfth Night and Tullus Aufidius in Coriolanus in 2007; Antonio in The Merchant of Venice and The Dancin’ Kid in Johnny Guitar in 2006; and Lancelot in Camelot and Theseus/Oberon in A Midsummer Night’s Dream in 2005. He has performed off-Broadway in The Fantasticks (Jerry Orbach Theatre), The Most Happy Fella (NYCity Opera), and Happy Hunting and Josephine’s Song (The York). Regionally he has appeared across the country in theatres such as the Oregon Shakespeare Festival, Folger Theatre, Los Angeles Theatre Center, and Milwaukee Rep. His training was at the University of Southern California and the Royal Academy of Dramatic Art, and he is a member of Actors’ Equity Association.

Rex Young

Rex Young is also a veteran of the Festival stages. This year he will play Colonel Mustard in Clue and Al Manners inTrouble in Mind. In past seasons he has taken on the roles of Jack in The Importance of Being Earnest, 2003; Antipholus of Syracuse in The Comedy of Errors, 2003; Macduff in Macbeth, 2004; Cassius in Julius Caesar, 2016; and Murray in The Odd Couple, 2016. Off-Broadway he has appeared as Paddy O’Dowd in A Touch of the Poet at The Irish Repertory Theatre and Goering/Ensemble in Flight at The Lucille Lortel Theatre. He has worked extensively at regional theatres, including twenty-three seasons as an acting company member at the Oregon Shakespeare Festival and work at Milwaukee Repertory Theatre, Actor’s Theatre of Louisville, Indiana Repertory Theatre, American Repertory Theatre, and more. He is a member of Actors’ Equity Association and SAG.

Other actors in this year’s production are:

  • Andrew Fehrenbacher as Mr Boddy and other roles
  • Daria Pilar Redus as Cook and other roles
  • André Spathelf-Sanders as Unexpected Cop and Cop
Buy Tickets

More Casting News

Bios and Photos As They Become Available

All’s Well That Ends Well Casting Story

Sweeney Todd Casting Story

King Lear Casting Story 

The Sound of Music Casting Story

Trouble in Mind Casting Story

The Tempest Casting Story

Thurgood Casting Story

The Greenshow Casting Story

Announcing the Cast of Trouble in Mind

For an extraordinary play about backstage drama and racial tropes, the Utah Shakespeare Festival has brought together a cast of diverse and experienced actors. The nine actors in Trouble in Mind by Alice Childress include many who will be familiar to Festival fans and several others who will soon become “Festival favorites.”  

The cast members are:

Cherita Amstrong

Cherita Armstrong will be making her first appearance at the Festival. She will be playing the quick-witted Millie Davis in Trouble in Mind, as well as Miss Scarlet in Clue. She has appeared off-Broadway at American Place Theatre, MCC, Ensemble Studio Theatre, Theatre for the New City, and New York Theatre Workshop and at such other theatres as St. Louis Black Repertory Theatre, Baltimore Center Stage, Yale Repertory Theatre, Public Theatre, and Hollywood Fringe Festival. On television she has been in 9-1-1, Pretty Little Liars, Law & Order: SVU, and Law & Order: Trial by Jury. She is a member of both Actors’ Equity Association and SAG-AFTRA.

“I’m so excited to be joining Utah Shakespeare Festival’s 2022 season!” said Armstrong. “I’m a huge fan of Alice Childress’s work and looking forward to taking on the role of Millie in Trouble in Mind and continuing the fun as Ms. Scarlett in Clue. Groovy times ahead!”

Bailey Blaise

Bailey Blaise returns for her third season at the Festival. She will play Judy Sears in Trouble in Mind and Yvette in Clue. In 2021 she played Evelyn Nesbit and Ensemble in Ragtime and a Sister in The Pirates of Penzance; in 2019 she was in various roles in Joseph and the Amazing Technicolor Dreamcoat and Featured Performer in The Greenshow. Other theatres she has worked at include Arrow Rock Lyceum Theatre (Funny Girl, Oliver!, The Music Man); Hunterdon Hills Playhouse (Sherlock Holmes Returns!); Musical Theatre West (Catch Me If You Can); Opera San Luis Obispo (Carousel); Rubicon Theatre Company (South Pacific); and Musical Theatre Guild (Zorba!, Minnie’s Boys).

She received aB.A. in musical theatre from the University of Alabama and is an Equity Membership Candidate.

Yvette Monique Clark

Yvette Monique Clark will be at the Festival for her first season this summer, playing the lead role of Wiletta Mayer in Trouble of Mind and Countess of Rossillion and Citizen in All’s Well That Ends Well. She has had extensive experience across the county including appearing in the world premiere of In the Upper Room (Denver Center for the Performing Arts), as well as in The Mountaintop (Depot Theatre), Ain’t Misbehavin’ (international tour and regional), Little Mermaid and To Kill a Mockingbird (Arrow Rock Lyceum Theatre), Gun and Powder (world premiere, Signature Theatre), Smokey Joe’s Café (national tour and regional), Hairspray (national tour and regional), Chicago, Thoroughly Modern Millie, and Showboat (McHaydyn Theatre), and The Wiz, Unison, and The Merry Wives of Windsor (Oregon Shakespeare Festival).

On television she has appeared in Orange Is the New Black. She is a member of Actors’ Equity Association.

Michael Fitzpatrick

Michael Fitzpatrick is returning to the Festival after a twenty-one year hiatus to play Henry in Trouble in Mind and Max Detweiler in The Sound of Music. He last appeared at the Festival in 2001 as Launce in The Two Gentlemen of Verona and Stephano in The Tempest. In 1999 he played Frankie in Forever Plaid, Oswald in King Lear, Snug in A Midsummer Night’s Dream, and Daniel in The Compleat Works of Wllm. Shkspr (Abridged).

In New York City, he has appeared in Theodore & Co, Gross Indecency, and The Taming of the Shrew; and he was in the national tours of Beauty and the Beast (Cogsworth) and 42nd Street (Bert Barry). He has played at numerous regional theatres including Great River Shakespeare, Denver Center, GEVA Theatre Company, and Willamette Rep. Company. He has appeared as a featured guest on television’s Six Degrees (ABC) and Nash Bridges (CBS) and in movies such as Remission, Pearl, and Fame Whore. He is a member Actors’ Equity Association and SAG-AFTRA. 

Maurice-Aimé Green´

Maurice-Aimé Green is making his Festival debut in the roles of John Nevins in Trouble in Mind, Oswald in King Lear, and various characters in All’s Well That Ends Well. He has also worked at Great River Shakespeare Festival, Nevada Conservatory Theatre, Las Vegas Composer’s Showcase, and Polyphone Festival of New and Emerging Musicals. On television he appeared on 2022 NFL Draft Open. He received his B.A. in stage and screen acting from the University of Nevada, Las Vegas. 

“I’m very excited to be making my debut at Utah Shakes with such great company and strong material!” Green said in talking about the upcoming summer.

Antonio TJ Johnson

Antonio TJ Johnson is also appearing at the Festival for the first time this year. He will be playing Sheldon in Trouble in Mind. Some recent work includes La Jolla Playhouse, Blueprints to Freedom; San Diego Repertory Theatre, Sweat; Cygnet Theatre, Gem of the Ocean, Fences, Piano Lesson, Seven Guitars, King Headley. He has also appeared at numerous regional theatres, including Pittsburgh Playwright, Moxie Theatre, Kansas City Repertory, Intrepid Theatre, Lamb’s Players, Old Globe Theater, North Coast Repertory, and S D Black Ensemble.

He is a recent recipient of the San Diego Critics Circle Best Actor Award for Fences, as well as many other awards over the past thirty years. He is a member of Actors’ Equity Association 

Chris Mixon

Chris Mixon has appeared in numerous Festival roles over the past two decades. This year he is playing Bill O’Wray in Trouble in Mind and Gloucester in King Lear. Favorite productions from past years include PericlesRagtimeRichard IIIBig RiverYou’re a Good Man, Charlie BrownThe ForeignerDraculaTwelfth NightBook of WillMary PoppinsThe Cocoanuts; and ‘Art’. He appeared in the Broadway national tour of How to Succeed in Business without Really Trying and off-Broadway at The Pearl Theatre Co. (eight seasons), The Mint, Riverside Shakespeare, and Manhattan Theatre Club. He has appeared in television in Law & Order, One Life to Live, and All My Children and on film in The Rosa Parks Story. He is a member of Actors’ Equity Association and SAG-AFTRA.

“I am thrilled to be working with director Melissa Maxwell and cast in Alice Childress’s Trouble in Mind,” he said. “It is a vitally important play for our times, even—and perhaps especially—sixty years after its first production. I am always thrilled and honored to be a part of the Festival season, but even more so with this incredible team in 2022.”

Jeremy Thompson

Jeremy Thompson is also a Festival alumnus, returning this year to play Eddie Fenton in Trouble in Mind, G. Dumaine in All’s Well That Ends Well, and Burgundy/Herald in King Lear. In past seasons at the Festival, he has played Caius Lucius/Arviragus in Cymbeline; Doctor Pinch/First Merchant in The Comedy of Errors; Horatio in Hamlet; Seyton in Macbeth; Lodovico in Othello; and Philiste in The Liar. He has also worked at Oregon Shakespeare Festival, Island Shakespeare Festival, Idaho Repertory Theatre, Book-It Repertory Theatre.

“I’m particularly excited for Trouble in Mind’s style of tragicomedy,” Thompson said. “All the characters’ words cut, sometimes on purpose, sometimes carelessly, and sometimes to themselves. As their armor gets chipped away, I’m interested in how they’ll react to uncomfortable truths about themselves.”

Rex Young

Rex Young is also a veteran of the Festival stages. This year he will play Al Manners in Trouble in Mind and Colonel Mustard in Clue. In past seasons he has played Jack in The Importance of Being Earnest, 2003; Antipholus of Syracuse in The Comedy of Errors, 2003; Macduff in Macbeth, 2004; Cassius in Julius Caesar, 2016; and Murray in The Odd Couple, 2016.

Off-Broadway he has appeared as Paddy O’Dowd in A Touch of the Poet at The Irish Repertory Theatre and Goering/Ensemble in Flight at The Lucille Lortel Theatre. He has worked extensively at regional theatres, including twenty-three seasons as an acting company member at the Oregon Shakespeare Festival and work at Milwaukee Repertory Theatre, Actor’s Theatre of Louisville, Indiana Repertory Theatre, Playmakers Rep, Seattle Shakespeare Company, Cincinnati Playhouse, Great River Shakespeare Festival, Virginia Stage Company, Long Wharf Theatre, and American Repertory Theatre. On television he has made appearances in Designing Women and All My Children Association and SAG.

Buy Tickets

More Casting News

Bios and Photos As They Become Available

All’s Well That Ends Well Casting Story

Sweeney Todd Casting Story

King Lear Casting Story

The Sound of Music Casting Story

Clue Casting Story

The Tempest Casting Story

Thurgood Casting Story

The Greenshow Casting Story

Announcing the Cast of The Sound of Music

Almost everyone has heard the songs and knows the story of The Sound of Music, including performances as Maria and Captain Von Trapp by Julie Andrews and Christopher Plummer in the movie or Mary Martin and Theodore Bikel on Broadway. It is, indeed, a grand story with many memorable actors. The Utah Shakespeare Festival’s production this summer will have all of that—and just a bit more: this cast will feature actors of color in the roles of Maria, the Mother Abbess, and others.

“I’m excited to bring non-traditional casting into our version of The Sound of Music,” said director Keenon Hooks. “We have assembled an excellent cast to help bring this story to life. Rarely will you find classic stories like this told with casting actors of color at large scale regional theatres, and I couldn’t be happier to share our story this way.”

The cast will include the following:

Daria Pilar Redus

Daria Pilar Redus is returning to the Festival after a standout performance last year as Sarah in Ragtime. She will be playing the role of Maria in The Sound of Music and will be in the ensemble of Clue. Other Festival roles from the past have included Kate in The Pirates of Penzance, Featured Soloist in Big River, and Featured Performer in The Greenshow. In the first national tour of The Spongebob Musical she took on the role of Sandy Cheeks and has also played Regina in Rock of Ages at the John W. Engeman Theatre, Ensemble in Kinky Boots at the Arvada Center, and more. She is a member of Actors’ Equity Association.

“To me, Maria embodies what it means to be beautifully flawed, sincere, courageous, nurturing, candid and self-loving,” she said in talking about the starring role. “And the very things that make Maria ‘a problem’ that some may feel the need to ‘solve’ could be the key to her happiness and freedom. I can’t wait to share this heartwarming story with you and hope that it inspires us all to pursue our dreams!”

Michael Sharon

Michael Sharon is returning to the Festival after a fifteen-year absence, this year to play the roles of Captain Von Trapp in The Sound of Music, as well as Professor Plum in Clue. In past seasons he has played Orsino in Twelfth Night and Tullus Aufidius in Coriolanus in 2007; Antonio in The Merchant of Venice and The Dancin’ Kid in Johnny Guitar in 2006; and Lancelot in Camelot and Theseus/Oberon in A Midsummer Night’s Dream in 2005.

He has performed off-Broadway in The Fantasticks (Jerry Orbach Theatre), The Most Happy Fella (NYCity Opera), and Happy Hunting and Josephine’s Song (The York). Regionally he has appeared across the country in theatres such as the Oregon Shakespeare Festival, Folger Theatre, Los Angeles Theatre Center, Milwaukee Rep, Pioneer Theatre Company, and more. In additional he played Leontes in The Winter’s Tale at GBS Theatre in London. His training was at the University of Southern California and the Royal Academy of Dramatic Art.

Lisa Strum

Lisa Strum is “overjoyed to be joining the Utah Shakespeare Festival season!” In her first year at the Festival, she will be playing Mother Abbess in The Sound of Music and Goneril in King Lear. Her theatre credits are wide ranging and include work at Lincoln Center, Public Theatre, The Acting Company, Classical Theatre of Harlem, Resident Ensemble Players, Detroit Public Theatre, People’s Light, Julliard, Intiman Theatre, MECA Arts Festival (Puerto Rico), International Dublin Gay Theatre Festival (Dublin), and National Black Theatre. Television credits include Law & Order: SVU, New Amsterdam, The Blacklist, and Citizen Baines. She is a member of Actors’ Equity Association and SAG-AFTRA

Interestingly, she said, “I played Mother Abbess when I was sixteen years old in high school. To return to the character decades later is a full-circle moment!”

Ilyssa Rubin

Ilyssa Rubin will be joining the Festival for the first time this season, appearing as Liesl in The Sound of Music, Ensemble in Sweeney Todd, and Featured Performer in The Greenshow. She has appeared at Cortland Repertory Theatre (Hermia in A Midsummer Night’s Dream), Hunterdon Hills Playhouse (Christmas at the Playhouse), Rider University (Margo in Bright Star), and others. She received a BFA in musical theatre from Rider University in 2021.

“I am so excited to be a part of the Festival’s 2022 season,” Rubin said. “Growing up, The Sound of Music movie was played on a constant loop at my house. I was in love with it! One of the first songs I ever worked on with a voice teacher was ‘Sixteen Going on Seventeen,’ so it . . . really is a dream come true!”

Ethan Van Slyke

Ethan Van Slyke is also appearing at the Festival for the first time this season. He will be playing the roles of Rolf Gruber in The Sound of Music, Tobias Ragg in Sweeney Todd, and Featured Performer in The Greenshow. He has appeared in regional theares around the country, such as Arena Stage (Newsies, Watch on the Rhine, and Oliver!); Forestburgh Playhouse (Altar Boyz, You’re a Good Man, Charlie Brown, and And the World Goes Round); NextStep Theatre (Singin’ in the Rain); and the University of Michigan (A Midsummer Night’s Dream).

He is studying at the University of Michigan, working on a BFA in musical theatre.

Other members of the cast include:

  • Lucy Austin as Ursula
  • Liz Baxley as Sister Margaretta
  • Andrew Fehrenbacher as Admiral Von Schreiber
  • Michael Fitzpatrick as Max Detweiler
  • Tim Fullerton as Herr Zeller
  • Shannon Galligan-Stierle as Frau Schmidt
  • Augusto Guardado as Ensemble
  • Nathan Haltiwanger as Ensemble
  • Luke Sidney Johnson as Baron Elberfeld
  • Samantha Paredes as Ensemble
  • Melinda Parrett as Elsa
  • Mark Saunders as Franz
  • Taylor Tveten as Sister Berthe and Baroness Elberfeld

In addition, twelve young actors will be taking on the roles of the younger children in the Von Trapp family. Each role is double cast as follows:

  • Gwynn Christ and Rubey Pearson as Gretl
  • Shelby Fawson and Molly Pearson as Louisa
  • Liv Harter and Kate Sowards as Brigitta
  • Penny Hodson and Ridley Hulse as Marta
  • Mack Lawrence and Ian Wilson as Kurt
  • Brooke Mellen and Joel Wilson as Friedrich
Buy Tickets

More Casting News

Bios and Photos As They Become Available

All’s Well That Ends Well Casting Story

Sweeney Todd Casting Story

King Lear Casting Story

Trouble in Mind Casting Story

Clue Casting Story

The Tempest Casting Story

Thurgood Casting Story

The Greenshow Casting Story

Announcing the Cast of King Lear

This season’s King Lear at the Utah Shakespeare Festival will feature a number of Festival veterans and audience favorites, but will also showcase some amazing actors who bring a wealth of experience to the Festival stages. “I am excited to see the Festival’s veteran actors bring the full power of their talent and experience to one of Shakespeare’s most towering and challenging works,” said director Vincent J. Cardinal. “There is nothing like seeing a professional company who have worked together for many seasons play a masterpiece.”

Anthony Heald

Anthony Heald, who is playing the powerful role of King Lear, is new to the Festival this year. But he will be recognized by many from his roles as Hannibal Lecter’s jailer, Dr. Frederick Chilton in the movie The Silence of the Lambs and for playing assistant principal Scott Guber in the popular television series Boston Public. He has twice been nominated for a Tony Award: as Best Actor in a Featured Role–Musical for a revival of Anything Goes in 1988 and as Best Actor in a Featured Role–Play for Love! Valour! Compassion! in 1995. 

He has also appeared off-Broadway in A Midsummer Night’s Dream; Lips Together, Teeth Apart; and The Foreigner. Other Broadway credits include The Elephant Man, and film credits include The Pelican Brief. He has also had a long career in regional theatre at such venues as the Oregon Shakespeare Festival and the California Shakespeare Theater. Heald is a member of Actors’ Equity Association.

Kendall Cafaro

Kendall Cafaro, who is also making her Festival debut this summer, is playing Lear’s loving daughter, Cordelia, in addition to Helen, the spurned but determined lover in All’s Well That Ends Well. She has previously acted in New York City in The Ugly Kids at The Wild Project; The Recruiting Officer at The Center at West Park; and Into the Woods, Much Ado about Nothing, and Cymbeline at Hudson Valley Shakespeare Festival. Regional theatre work includes Shrew! at Sun Valley Shakespeare Festival; La Traviata  at Metropolitan Opera; and The Winter’s Tale and The Owl Answers/Sun at Fordham University.

Additionally, she is in a film version of As You Like It which currently in post-production. She received her BA in theatre performance from Fordham University and is an Equity Membership Candidate.

Stephanie Lambourn

Stephanie Lambourn is returning to the Festival to take on the roles of Regan in King Lear, as well as Beggar Woman in Sweeney Todd and Rinalda in All’s Well That Ends Well. In prior seasons at the Festival, she has played Margaret in Henry VI (Parts One, Two, and Three), Mistress Paige in The Merry Wives of Windsor, Miss Watson/Sally Phelps in Big River, and Lady Macduff in Macbeth. She was in the first national tour of Broadway/SF’s A Christmas Carol and has appeared in such theatres as Arkansas Repertory Theatre, Aurora Fox, Great River Shakespeare Festival, Milwaukee Repertory Theatre, and various theatres in the United Kingdom and Australia. 

“It’s an honor to be returning to the Festival for a third season,” she said in discussing the season. “I’m thrilled to be playing such diverse and colorful characters and collaborating with such an extraordinary group of artists. This will be my second time in a production of King Lear, and I’m excited to be tackling the intriguing character of Regan.” 

Lisa Strum

Lisa Strum will be playing Lear’s third daughter, Goneril, in King Lear, as well as Mother Abbess in The Sound of Music. New to the Festival, she has appeared off-Broadway atLincoln Center, Public Theatre, and The Acting Company. She has also acted at numerous theatres across the country and on television in such shows as Law & Order: SVU, New Amsterdam, The Blacklist, and Citizen Baines; and she has directed extensively. She is a member of Actors’ Equity Association and SAG-AFTRA

“I am overjoyed to be joining the Utah Shakespeare Festival season!” she said. “Playing Goneril in King Lear has been on my bucket list for years. I am beside myself that I get to live in the skin of this incredibly complex character.” 

Chris Mixon

Chris Mixon is another popular actor returning to the Festival this year. He will be playing Gloucester in King Lear and Bill O’Wray in Trouble in Mind. In past Festival seasons, he has appeared in Pericles, Ragtime, Richard III, Big River, The Foreigner, The Book of Will, Mary Poppins, The Cocoanuts, ‘Art’ and many others. He was in the national tour of How to Succeed in Business without Really Trying and has also appeared off-Broadway at The Pearl Theatre, The Mint, Riverside Shakespeare, and the Manhattan Theatre, as well as at numerous regional theatres.

“Playing Gloucester in King Lear is a bucket-list role for me and I feel very lucky to play him,” said Mixon, who is a member of Actors’ Equity Association. “I feel Gloucester is a complex and flawed father. . . . But in his heart he is a very good and deeply caring person. It takes courage to live your convictions, but even more courage to admit you were wrong.”

Aidan O’Reilly

Aidan O’Reilly is returning for his second year at the Festival to play the Fool in King Lear and Caliban in The Tempest. In the 2021 season, he played Cerimon in Pericles, Richard in Richard III, and Angelo in The Comedy of Errors. Other theatres he has worked at include Prague Shakespeare Company, Marin Shakespeare Company, American Shakespeare Center, City Lights Theatre Company, Renegade Players, Avalon Players, Sonoma Valley Shakespeare Company, Arkansas Repertory Theatre, and Studio Theatre of Little Rock. A graduate with honors from the Royal Academy of Dramatic Art, he is a member of Actors’ Equity Association.

“Shakespeare’s plays have meant a great deal to me ever since I was a little kid (my favorites were all the stories that had ghosts and assassins and lovers and sword fighting in them—they still are), and I am grateful for the opportunity to be a part of the team here at the Festival and to help bring these plays alive this summer,” said O’Reilly. “There is an enormous amount of compassion, humor, and wisdom in King Lear; and those are things the world always needs. And, yes, there’s some good sword fighting in it too.”

René Thornton Jr.

René Thornton Jr. is also a beloved actor at the Festival and is returning this year to play Kent in King Lear and Alonso in The Tempest. In five previous seasons he has acted in a various roles, including Henry Condell in The Book of Will, Buckingham in Richard III, and Orsino in Twelfth Night. He has worked at numerous theatres and completed Shakespeare’s entire canon in 2017, having performed professionally in all the plays in Shakespeare’s Folio. He is a member of Actors’ Equity Association.

“Cedar City has become home away from home in the last few years, and I’m grateful to always feel welcome there,” said Thornton in talking about this summer. “King Lear is quite simply one of Shakespeare’s best plays, and the passion and power struggles that drive it are thrilling to behold. Families are complicated and few as complicated as Lear’s. It’s an honor to be able to bring Kent, with his loyalty and love, to life in what I’m sure will be a fantastic production.”

Other members of the cast include:

  • John Bixler as Albany
  • Phillip Brown as Messenger and Knight
  • Nicholas Denhalter as Curan and Knight
  • Tim Fullerton as Cornwall
  • Maurice-Aimé Green as Oswald
  • Nathan Haltiwanger as Servant and Knight
  • Steven Jensen as Knight
  • Luke Sidney Johnson as King of France and Captain
  • Freedom Martin as Edgar
  • Philip Orazio as Edmund
  • Mark Saunders as Attendant, Messenger, and Knight
  • Jeremy Thompson as Burgundy and Herald
  • Rob Tucker as Doctor, Old Man and Knight
  • Braedon Young as Messenger and Knight
  • Brandon Zicker as Messenger, Attendant, and Knight
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All’s Well That Ends Well Casting Story

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Trouble in Mind Casting Story

Clue Casting Story

The Tempest Casting Story

Thurgood Casting Story

The Greenshow Casting Story

Announcing the Cast of Sweeney Todd

“I have waited (and lobbied) for over a decade to collaborate on a production of Sweeney Todd with Brian Vaughn,” said director Brad Carroll when casting was finalized for this wickedly funny Stephen Sondheim musical. “I am beyond thrilled that it’s finally becoming a reality this season.”

Vaughn will be in the title role of Sweeney this summer at the Utah Shakespeare Festival, but he will have lots of company onstage with a number of extraordinarily talented actors: “The musical and vocal requirements of Sweeney Todd being as complex and demanding as they are, the Festival has assembled a cast of truly remarkable voices,” added Carroll. “They guarantee to give Mr. Sondheim’s score the epic, soaring, powerful sound it so richly deserves. Very exciting!”

The cast will include the following:

Brian Vaughn

Brian Vaughn has been the artistic director at the Festival since 2011, but he has been an actor for twenty years longer than that. This season he adds one more role as Sweeney in Sweeney Todd. His past roles at the Festival have included such notables as Hamlet, Henry V, Iago, Benedick, Petruchio, Leontes, Cyrano de Bergerac, Poet in An Iliad, Harold Hill in The Music Man, Javert in Les Misérables, Baker in Into the Woods, Sky Masterson in Guys and Dolls, Arthur in Camelot, Pirate King in The Pirates of Penzance, Charlie in Stones in His Pockets, Richard Hannay in The 39 Steps, and both Oscar and Felix in The Odd Couple. In addition, he has directed numerous plays at the Festival. He has also appeared at such theatres as Milwaukee Repertory Theatre, Arizona Theatre Company, Chicago Shakespeare Theatre, Denver Center Theatre Company, Northlight Theatre, PCPA, and South Coast Repertory Theatre.

A graduate of Southern Utah University, he has been a guest artist/director at Brigham Young University, Southern Utah University, University of California–Irvine, Nevada Conservatory Theatre–UNLV, Utah State University, University of Michigan, and Western Michigan University. He is a member of Actors’ Equity Association.

Bree Murphy

Bree Murphy is returning to the Festival after an absence of several years—to play Mrs. Lovett in Sweeney Todd and Mrs. Peacock in Clue. Most recently at the Festival she appeared as Miss Andrew and Mrs. Corry in Mary Poppins and Queen Isabel and Mistress Quickly in Henry V in 2016. She has also been in such Festival productions as South Pacific, The Taming of the Shrew, Henry IV Part Two, Measure for Measure, Henry IV Part One, and Into the Woods. A member of Actors’ Equity Association, she has appeared in the national tour of Les Misérables and in many other theatres, including Musical Theatre West, 3D Theatricals, PCPA, Swine Palace, New Swan Shakespeare, Kentucky Shakespeare, and Okoboji Summer Theatre.

“Playing Nellie Lovett has been a dream since first falling in love with Stephen Sondheim’s works as a conservatory student at PCPA in 1997,” she said. “To be collaborating with both a director [Carroll] and musical director [Jeremy Mann] who have been part of my professional journey since that time is surreal and thrilling.”

Tim Fullerton

Tim Fullerton last appeared at the Festival in 1996 in Macbeth, The Three Musketeers, and The Mikado. This season he will be playing the dastardly Judge Turpin in Sweeney Todd, as well as Cornwall in King Lear and Herr Zeller in The Sound of Music.

He has appeared in numerous other plays in other theatres, including Henry IV Part One, Les Blanc, As You Like It, and Cymbeline at Oregon Shakespeare Festival; The Book of Will and The Bridges of Madison County at Texas Shakespeare Festival; Translations at Rep Stage; The Winter’s Tale at Shakespeare Santa Cruz; Mamma Mia, The (Curious Case of the) Watson Intelligence, Newsies, Julius Caesar, The Pirates of Penzance, Stand-Up-Tragedy, Man of La Mancha, The Secret Garden, Joseph and the Amazing Technicolor Dreamcoat, and Death of a Salesman at Pacific Conservatory Theatre; Jesus Christ Superstar at Santa Barbara CLO; and Three Musketeers the Musical, andVictor/Victoria at American Musical Theatre.

Lucy Austin

Lucy Austin is making her debut appearance at the Festival this season, playing Johanna in Sweeney Todd, Ursula in The Sound of Music and Featured Performer in The Greenshow. She has appeared in Into the Woods, Much Ado about Nothing, Cymbeline, and The General from America at Hudson Valley Shakespeare Festival, as well as in Cabaret, Macbeth, Good Kids, Little Women, Cagebirds, and Carousel at The Boston Conservatory. She also acted in the film Little Women. She received her B.F.A. from The Boston Conservatory.

“It feels like a gift to be a part of Sweeney Todd, one of Stephen Sondheim’s masterpieces, at this time when our community is grappling with his passing and celebrating the singular intricacy and compassion he brought to theatre,” said Austin. “I am thrilled to explore how Johanna will come to life in this production, and lean into her curiosity and boldness as she fumbles through challenges and ways through.”

Rob Tucker

Rob Tucker is also making his first appearance at the Festival. He is playing Judge Turpin’s cruel sidekick, The Beadle, in Sweeney Todd as well as Lefeu and Duke of Florence in All’s Well That Ends Well and various roles in King Lear. A member of Actors’ Equity Association, he has acted at such notable theatres as Shakespeare in Clark Park, Theatre Horizon, Actors Theatre of Louisville, Milwaukee Rep, Arden Theatre, EgoPo, Prince Music Theater, and Opera Philadelphia.

“I’ve always joked that if I could live my entire artistic life in the worlds of Stephen Sondheim and William Shakespeare I’d be happy,” he said. “I’m thrilled to be doing just that at a place I’ve wanted to work at since I was in college! How lucky can you get?”

The Sweeney Todd cast is large and will include many actors who have appeared at the Festival in the past. All these actors play other roles in the repertory season. They are:

Phillip Brown as Ensemble

Michael Doherty as Jonas Fogg

Shannon Galligan-Stierle as Ensemble

Aaron Galligan-Stierle as Pirelli

Sophia Guerrero as Ensemble

Nathan Haltiwanger as Anthony Hope

Luke Sidney Johnson as Ensemble

Stephanie Lambourn as Beggar Woman

Samantha Paredes as Ensemble

Ilyssa Rubin as Ensemble

Mark Saunders as Ensemble

André Spathelf-Sanders as Ensemble

Taylor Tveten as Ensemble

Ethan Van Slyke as Tobias Ragg

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All’s Well That Ends Well Casting Story

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Clue Casting Story

The Tempest Casting Story

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Announcing the Cast of All's Well That Ends Well

The Utah Shakespeare Festival has announced the cast members for this summer’s All’s Well That Ends Well by William Shakespeare, including some actors Festival audiences will be familiar with, as well as a number of new-to-the-Festival actors. “I want our audience to see themselves represented on the stage in this production of All Well That Ends Well,” said director Melinda Pfundstein. “I am thrilled to have a beautiful gathering of artists to that end.” 

The cast is as follows:

Kendall Cafaro

Kendall Cafaro is making her Festival debut, appearing as Helen, the spurned but determined lover in All’s Well That Ends Well, in addition to Cordelia in King Lear. She has appeared off-Broadway in The Ugly Kids and The Recruiting Officer, as well as at numerous regional and university theatres: Hudson Valley Shakespeare Festival, Sun Valley Shakespeare Festival, Metropolitan Opera, and Fordham University to name a few.

“Each time I look at the role of Helen, I’m met with questions that I find challenging to grapple with on my own,” she said in speaking about the play. “This is why I am excited to explore this character and the ideas of this play with the team at the Festival.”

Michael Doherty

Michael Doherty is returning to the Festival in the role of as Lavatch, the clown in All’s Well That Ends Well. He will also appear as Jonas Fogg in Sweeney Todd and Mr. Green in Clue. In past seasons at the Festival he has played Dromio of Syracuse in The Comedy of Errors and The Joneses in The Comedy of Terrors (2021); the solo performer in Every Brilliant Thing (2019); Charlie Baker in The Foreigner and Tom Sawyer in Big River (2018); and more. He has appeared at many other theatres, including Berkeley Repertory Theatre, Milwaukee Repertory Theatre, and the Denver Center. A member of Actors’ Equity Association, he is also the showrunner for Mythic Thunderlute: A D&D Podcast Musical.

“Scholars have criticized Lavatch as one of Shakespeare’s ‘most lascivious and expendable fools’ (which, to be fair, has also been said of me),” laughed Doherty. “I love the challenge that comes with serving this language up to be understood by a modern ear, and I’m so looking forward to exploring this complicated and fascinating play.”  

Kevin Kantor

Kevin Kantor is new to the Festival and will be appearing as Paroles in All’s Well That Ends Well and Trinculo in The Tempest. They have appeared in Macbeth (Actors Theatre of Louisville); Things I Know To Be True, The Legend of Georgia McBride, and A Christmas Carol (Milwaukee Repertory Theatre); Othello, Twelfth Night, and Sense & Sensibility (Island Shakespeare Festival); Lovers & Executioners, The Sword in the Stone, and The Legend of Georgia McBride (B Street Theatre); and in ABC Television’s American Crime. A member of Actors’ Equity Association, Kantor has also written a full-length poetry collection, Please Come Off-Book, published by Button Poetry.

Philip Orazio

Philip Orazio is also new to the Festival, appearing this summer as Bertram, the sometimes dastardly lover, in All’s Well That Ends Well, in addition to Edmund in King Lear. Other theatres he has worked at include Artist Repertory Theatre, The Road Theatre, Arkansas Shakespeare Theatre, Texas Shakespeare Festival, Nomadic Theater, and Queer Classics Theater. On television, he has acted in Minx (HBO), Gasit (STARZ), Leverage (TNT), Combat Report (Netflix), My Human Experience (Amazon), My Crazy Ex (Lifetime), and Three Days to Live (Oxygen). In addition, he has taught at the Actors Studio of Orange County and has received an MFA in acting from the University of Houston.

Amara Webb

Amara Webb returns the the Festival after appearing as Sister in The Pirates of Penzance and Ensemble in Ragtime in 2021. In All’s Well That Ends Well, she will perform the role of as Diana; and in The Tempest, Miranda. She has played numerous roles at other theatres, including Henriette in The Learned Ladies and Sarah Chandler in The Living, both at Sargent Conservatory at Webster University.

Other members of the cast are:

Whitney Black as Soldier, French Lady, and Ensemble

Anatasha Blakely as E. Dumaine and Ensemble

Yvette Monique Clark as Countess and Ensemble

Maurice-Aimé Green as Soldier, Attendant, French Lord, and Ensemble

Anthony Heald as King of France, Citizen, and Ensemble

Stephanie Lambourn as Renalda, Soldier, Citizen, and Ensemble

Sophia Metcalf as Citizen, Musician, and Ensemble

André Spathelf-Sanders as French Lord, Soldier, and Ensemble

Arizsia Staton as Widow, Citizen, and Ensemble

Elise Thayn as Mariana, Citizen, and Ensemble

Jeremy Thompson as G. Dumaine and Ensemble

Rob Tucker as Lafew and Duke

Braedon Young as French Lord, Soldier, and Ensemble

The 2022 season of the Utah Shakespeare Festival runs from June 20 to October 8 and includes All’s Well That Ends Well, Sweeney Todd. King Lear, The Sound of Music, Trouble in Mind, Clue, The Tempest, and Thurgood, as well as all the experiences surrounding the plays, such as The Greenshow, seminars, orientations, and backstage tours. Tickets and information are available by calling 800-PLAYTIX or going online to bard.org.

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The Tempest Casting Story

Thurgood Casting Story

The Greenshow Casting Story

Things You May Not Know about The Sound of Music

By Liz Armstrong 

Theodore Bikel (left) and Mary Martin (right) in the original Broadway production of The Sound of Music, 1959

Based on the memoir of Maria Augusta Trapp, published in 1949, The Sound of Music has become one of the world’s most beloved musicals. The New York World-Telegram and Sun even wrote that it is “the loveliest musical imaginable.” Yet, even as widely-known as this musical is, there is much you may not know. For instance: 

1 - The original 1959 Broadway production—which starred Mary Martin and Theodore Bikel—won five Tony Awards (including Best Musical) out of nine nominations. 

2 - Among the other Tony Award nominations was Best Featured Actress, in which the entire children’s cast was entered as a single nominee. This is especially interesting, noting that two of the children in the Broadway musical were boys. 

3 - The Broadway production closed in 1963 after a startling 1,443 performances. The Broadway cast album sold over three million copies.

4 - This is the last musical playwright Oscar Hammerstein wrote, dying a short nine months after it opened on Broadway.

5 - As the original Broadway musical was experiencing wild success, the first London production opened in 1961. Later, it was adapted into a film starring Julie Andrews and Christopher Plummer. This film won five Academy Awards, including Best Picture.

6 - Plummer hated the 1965 movie so much he called it “The Sound of Mucus.” Later, he admitted he was often drunk during filming.

7 - The original title of the play was Love Song. Yes, we agree: The Sound of Music has a better ring to it.

8 - In the 1981 London revival of the musical, actress Petula Clark took on the role of Maria von Trapp at age 49. Many believed her to be “too old” to play the role convincingly, but when Maria von Trapp herself attended the premiere, she believed Clark to be the best Maria to ever be cast. 

9 - In 2013, Carrie Underwood starred as Maria in the NBC television series, and Audrey Hepburn was originally considered to star in the 1965 film.

10 - Ironically, the musical has seen roaring success everywhere but Austria. One theory may be that Austrians don’t like how their culture is displayed in the musical. Others believe that they don’t want to relive the painful history of the Nazi occupation.

Tickets are now on sale for the Festival’s 2022 season which runs from June 20 to October 8. In addition, to The Sound of Music, the season will feature All’s Well That Ends Well, Sweeney Todd, King Lear, Trouble in Mind, Clue, The Tempest, and Thurgood. Tickets can be purchased at bard.org or by calling the ticket office at 800-PLAYTIX.

Meet Rodgers and Hammerstein

Meet Rodgers and Hammerstein

By Lisa Larson

As the opening notes of the Utah Shakespeare Festival’s production of The Sound of Music swell to fill the theatre, audiences will be swept away to the mountains of Austria and the final golden days of the 1930s. But it is not only the poignant story of the Von Trapp family that makes this production so beloved. Rather, it is the masterful minds of two duos—four men—that each had a hand in turning this remarkable piece of history into a story that lives in hearts and minds from generation to generation. 

In essence, the hills—and theatres around the world—are alive with the sound of their music.  

Richard Rodgers, Oscar Hammerstein II, Howard Lindsay, and Russel Crouse each played a part in bringing the story of Maria and the Von Trapp children to life. Yet, as remarkable as The Sound of Music is, it is only one of many contributions each of these men shared with the world. 

Richard Rodgers

Born in Arvene, New York in 1902, Richard Rodgers came into a home that valued music and exposed Rodgers to theatre from a young age. The son of a physician father and amateur musician mother, Rodgers started plucking at the piano at age four, (https://www.pbs.org/ wnet/ broadway/ stars/ richard-rodgers/). By age six he was playing piano by ear. At ten he wrote his first song, “My Auto Show Girl.”

Rodgers continued cutting his musical teeth on compositions for amateur boys’ club shows. According to NotableBiographies.com, Rodgers felt his early exposure to operettas by Victor Herbert and others were extremely influential. He also said that musicals by Jerome Kern left a “deep and lasting” impression. 

During his time at Columbia University, he began the first of two long-term professional partnerships, first with Lorenz Hart. Rodgers and Hart’s work on the 1919 Fly with Me proved to be their introduction to the world as a musical duo (https://www.britannica.com/ biography/ Richard-Rodgers). The partnership lasted twenty years until Hart could no longer work.

“What actually brought about (the end of Hart and Rodgers’ partnership) was Larry’s disintegration,” Rodgers said in an interview with American Musical Theater WCBS in 1961 (https://www.youtube.com/ watch?v=YVa6W2QOW64). “Larry started to fall apart at a much too early age.” Seeing the inevitable decline of his friend and writing partner, Rodgers knew he needed to make a change in order to continue in his career. His mind turned to the well-known American lyricist Oscar Hammerstein II. 

Oscar Hammerstein II

The grandson of well-known opera impresario Oscar Hammerstein, Oscar Hammerstein II—known as “Okie” to friends—was born in New York City in 1895. Hammerstein came by his love of theatre naturally, almost biologically, as his father was a successful vaudeville actor, his grandfather an opera star, and his uncle Arthur the producer of Broadway musicals. However, his father pushed him to study law at Columbia University, which he did for a time. But soon, his passion for theatre won out (https://www.biography.com/ musician/ oscar-hammerstein-ii).

Hammerstein found a place for his passion among the Varsity Theater shows at Columbia University, including the 1915 review On Your Way. Later, he worked for his Uncle Arthur as an assistant stage manager but was quickly promoted to production manager for all of Arthur’s shows. Among Hammerstein’s notable successes, it was his work with Jerome Kern on the 1925 musical Showboat that firmly established his reputation as a writer and lyricist to be reckoned with (https://www.pbs.org/wnet/ broadway/ stars/ oscar-hammerstein-ii/).

However, even with all the accomplishments in his early career Hammerstein is purported to be very aware of the times when his efforts didn’t set sail as majestically as Showboat did. “One of the tough things has been to endure failure. And I’ve endured a lot of it,” Hammerstein said (https://www.biography.com/ musician/ oscar-hammerstein-ii).

Many might look at the lengthy list of accomplishments, awards, and accolades and wonder at Hammerstein’s definition of “failure.” But his career—while peppered generously with monumental successes, also included his fair share of setbacks. For example, in 1919 he wrote his own play called The Light, produced by his Uncle Arthur, but it never really grew legs enough to move it along, according to Biography.com. Despite that setback, Hammerstein soldiered on; forging ahead in his writing to collaborate with Rodgers and Hart on the 1920 Fly with Me

Hammerstein’s influence through the years was felt by many, including another well-known lyricist, Stephen Sondheim (Sweeney ToddWest Side Story). According to the PBS.org article, Sondheim was a friend of the Hammerstein family and credited much of his success to Hammerstein’s influence. 

Rodgers and Hammerstein: Even Better Together

When the time came to seek out a new partnership, both Rodgers and Hammerstein were ready to work together. Even if they had no idea the success they would become.

According to an interview with Rodgers on WCBS in 1961 (https://www.youtube.com/ watch?v=YVa6W2QOW64), it was Rodgers who approached Hammerstein about working together on Oklahoma. “Oscar and I had met physically, when we were very small children because my father was a doctor and he was the obstetrician who delivered Oscar’s first two children,” Rodgers said in the WCBS interview. “Oscar even married a second or third cousin of mine. I always knew Oscar when he was a young man in college and I was a young man in high school.” 

When Larry Hart was no longer able to work, Rodgers approached Hammerstein. “He said, I accept your proposal of marriage,” Rodgers said, with a laugh.

In another interview (https://www.youtube.com/ watch?v=k4ypJhDS19I), Rodgers affirmed his dedication to the decision despite Hammerstein’s several professional setbacks. “I had tremendous faith in Oscar,” Rodgers said. “I knew beyond argument about his enormous talent. . . . this was the logical direction for me to go in.” 

And he was right. 

In the course of their seventeen years together, Rodgers and Hammerstein’s partnership yielded such beloved classics as Oklahoma (1944), Carousel (1945), South Pacific (1949), The King and I (1951), Pipe Dream (1955), Flower Drum Song (1958), and, of course, The Sound of Music (1959). Clearly the impact Rodgers and Hammerstein had on the world of musical theatre cannot be overstated. 

Hammerstein’s task with Rodgers was to “combine bright tunes with relatively sophisticated stories—a blend then-unfamiliar to the stage, but later widely adopted.” (https://www.britannica.com/ biography/ Oscar-Hammerstein-II). So it’s not just the unforgettable music this duo composed, but the impact their style had on the development and direction of musical theatre forever after. 

Howard Lindsay and Russel Crouse

As for the second duo behind the masterful The Sound of Music, Howard Lindsay and Russel Crouse is a story of a twenty-eight-year partnership in writing, producing, and theatre management that included producing greats such as The Sound of Music, as well as Anything Goes with Cole Porter, Call Me Madam with Irving Berlin, and more. 

Crouse, whose father was a newspaperman, worked as a reporter for the Cincinnati Commercial Tribune at age seventeen. Later he worked for the Kansas City Star as a sports reporter, traveling extensively for his work (https://www.masterworksbroadway.com/artist/howard-lindsay-and-russel-crouse/).

Crouse made his Broadway debut as an actor in 1928. Then in 1931 he started writing for the stage, collaborating with Oscar Hammerstein on The Gang’s All Here

Meanwhile, Lindsay graduated from Boston Latin School in 1907 and spent a year at Harvard before the war. He acted in shows like Sweet Nell of Old Drury and began to establish his directing credentials. His first play was Tommy in 1927, which was produced on Broadway for 232 performances. The show was later made into a movie in 1932 called She’s My Weakness, according to Masterworks Broadway. 

Both Lindsay and Crouse continued to work in theatre independent of the other before crossing paths to re-write a script called Bon Voyage. The story, originally told about a cruise ship that wrecks off an island paradise, was in need of a new look after a real-life shipwreck made it difficult to move forward with the rehearsals. At the hands of Lindsay and Crouse it became the now famous, Anything Goes, according to the MasterworksBroadway.com article. 

As a duo, their fame and fortune solidified after their involvement with a dramatization of stories from Clarence Day Jr. in 1939 known as Life with Father. According to MasterworksBroadway.com, the show still holds the record for the longest running non-musical play on Broadway with 3,224 performances. 

Lindsay and Crouse owned and operated a theatre—the Hudson on 44th Street—for several years. Their initial production in the theatre, Arsenic and Old Lace in 1941 was a smashing success, putting their theatre on the map (https://www.masterworksbroadway.com/artist/howard-lindsay-and-russel-crouse/)

It wasn’t all hits and successes though. But once again, perseverance paid off. After coming off of a disappointing turnout for the adaptation of Howard Nemerov’s The Homecoming Game turned into Tall Story for Broadway, Lindsay and Crouse hit the mark with the book for The Sound of Music starring Mary Martin, Theodore Bikel, and Patricia Neway. The show ran for 1,443 performances between 1959 and 1963 and later became the amazingly popular movie in 1965 starring Julie Andrews. 

Shortly after the premiere of the film version of their crowning success, Crouse died of pneumonia at age seventy-three, ending the longest running collaboration of any writers in theatrical history — more than twenty-eight years, according to Masterworks Broadway. 

The film version of The Sound of Music reigned for five years as the highest grossing film in history, nominated for ten Academy Awards and winning five (https://www.britannica.com/topic/The-Sound-of-Music-film-by-Wise).

Such an epic success does not come without a multitude of stories behind the scenes, each person with their own mountains to climb and favorite things to share, all so that audiences can make The Sound of Music part of their musical experience.