Bottom Gets a Life: Michael Hoffman’s Contribution to the Shakespeare Film Canon
William Brugger
“Can We Know Them by the Songs They Sing?” Shakespeare’s Use of Ballad and Psalm Allusions as a Characterization Tool in The Merry Wives of Windsor
Tom Flanigan
Ambiguous Alliances: Betrothal Confusion in Shakespeare’s The Merry Wives of Windsor
Kiersten Honaker
Gertrude, Ophelia, Ghost: Hamlet’s Revenge and the Abject
Chikako D. Kumamoto
The Merry Wives of Windsor and Elizabeth I: The Welsh Connection
Todd M. Lidh
Unearthing Hamlet’s Fool: A Metatheatrical Excavation of Yorick
Margie Pignataro
Gertrude as a Character of Intersection in Hamlet
Immy Wallenfels
Actors’ Roundtable: Acting Shakespeare: A Roundtable Discussion with Actors from the Utah Shakespeare Festival 2006 Production of Hamlet
Michael Flachmann
Undergraduate Paper: Death and the End of Testimony: Trauma Theory in Shakespeare’s Hamlet
Lorna Mellon